Breathing Color

I’ve been excited about creating more impressionistic, even semi-abstract landscapes lately. A foray into sharper lines and brighter color. Diverging from true photographic reality. While I’m still creating plein air paintings that are more realistic, my heart yearns for contemporary minimalist and abstract. So, I’m combining the best of both. I’m now breathing color. Here is one of my new whimsical landscape creations:

The Hill 16 x 20 (c) Mary Hubley. Available.
The Hill 16 x 20

— Mary Hubley

The Path

This is a new painting that’s in a semi-abstract style. This landscape shows a stormy day at the beach, with a path leading you toward the back. Grasses blowing. Subtle pops of orange and blue.

I call it “The Path”. I have been creating lots of paths in my landscapes lately. I’ve always known that a path is a fabulous way to draw the viewer into the picture. It’s a way to naturally move the eye from the foreground and lead it inward. It beckons the viewer to come closer. Stay a while. Explore the painting. To further pull the viewer in, I added my little “pops” of color, added at the point of interest at the end of the path.

Beach Landscapes
The Path 24 x 30

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New Way

Here’s a brand new painting in my semi-abstract style. You still know they’re trees. But they’re in a new reality landscape, shifted reality. This one shows my little trees having a great party at the bottom, throwing confetti and blowing in the wind.

I call it “new way” for two reasons – first, because it’s a new way of my looking at the world – in a semi-abstract way. Second, because the path, or road, in the painting will take the viewer, or the traveler a new way into the distance, through color and light and pattern.

Abstract Landscapes
New Way 20 x 20

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